On this Sunday morning, she’s a wearing a black Gucci dress for a photo shoot. Larson can glam it up - a prerequisite on the draining awards season trail. “And Brie’s got a capacity to show a very ordinary, humorous girl-next-door, down-to-earth kind of side.” “The situation of Ma is so tragic we don’t want somebody who looks as if she was born to tragedy, who’s got one of those faces that are all cheekbones,” said Emma Donoghue, the author of “Room,” who also wrote the screenplay. So, too, is the melding of relatable characterizations with leading-woman acting chops. “She’s great at playing complex emotions, and she’s really, really funny,” said Judd Apatow, the director of “Trainwreck,” who first noticed her in “United States of Tara,” where she played the rebellious daughter of Toni Collette’s character. There she started the monthly Women of Cinefamily program, showcasing movies starring or directed or written by women.)Ī seemingly effortless ability to blend the serious and the comic has also drawn directors to her. Larson now serves on the advisory board of the Cinefamily, a Los Angeles nonprofit devoted to presenting “exceptional, distinctive, weird and wonderful films,” according to its website. I think we rather fetishize a kind of showy intensity in our actors, which I’m not interested in.” “She’s not trying to show you how great an actor she is all the time,” said Lenny Abrahamson, the director of “Room.” “There’s a deep naturalistic impulse in her acting.
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Since her first TV appearance, in a fake Malibu Mudslide Barbie commercial on “The Tonight Show With Jay Leno” in the late 1990s, she’s carved out a career filled with eye-catching supporting turns in films like “Greenberg,” “21 Jump Street,” “Rampart” and, this past summer, “Trainwreck” (in which she played the sister of Amy Schumer’s character).īut it was her starring role in “Short Term 12,” a 2013 drama in which she played a supervisor at a group home for at-risk adolescents, that put her on the short list for films like “Room.” Larson has overcome that phobia, realizing that the social awkwardness she thought was uniquely hers is shared pretty much by everyone.
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In a first for Bhutan, the movie is now an Oscar nominee.
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‘Improbable Journey’: “Lunana: A Yak in the Classroom” was filmed on a shoestring budget in a remote Himalayan village.Making History: Troy Kotsur, who stars in “CODA” as a fisherman struggling to relate to his daughter, is the first deaf man to earn an Oscar nomination for acting.The director Bong Joon Ho is happy to discuss its success. A Hit: Ryusuke Hamaguchi’s “Drive My Car” is the season’s unlikely Oscar smash.Best Actress Race: Who will win? There are cases to be made for and against each contender, and no one has an obvious advantage.
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